How much money did singin in the rain make

It is many things! Rather, it was a new script, written just for the movie, featuring old songs written for previous mucj. Freed was a successful lyricist in the s and ’30s, collaborating with composer Nacio Herb Brown on dozens of songs for MGM musicals. Inafter essentially serving as an uncredited producer on The Wizard of OzFreed was given his own unit at MGM, where he oversaw the production of about 45 big-screen musicals some originals, some Broadway adaptations over the next 23 years, making MGM synonymous with the genre. Warner Bros. Cohan and Jerome Kern, respectively.

Singin’ in the Rain

Singin’ in the Rain is one of the most-loved and celebrated film musicals of all time from MGM, before a mass exodus to filmed adaptations of Broadway plays emerged as a standard pattern. It was made directly for film, and was not a Broadway adaptation. The joyous film, co-directed by Stanley Donen and acrobatic dancer-star-choreographer Gene Kelly, is a charming, up-beat, graceful and thoroughly enjoyable experience with great songs, lots of flashbacks, wonderful dances including the spectacular Broadway Melody Ballet with leggy guest star Cyd Charisse , casting and story. This was another extraordinary example of the organic, ‘integrated musical’ in which the story’s characters naturally express their emotions in the midst of their lives. Song and dance replace the dialogue, usually during moments of high spirits or passionate romance. And over half of the film — a ‘let’s put on a play’ type of film, is composed of musical numbers. From the late s to the early s, producer Arthur Freed produced more than forty musicals for MGM. Because the colorful, witty film is set in , it humorously satirizes and parodies the panic surrounding the troubling transitional period from silents to talkies in the dream factory of Hollywood of the late s as the sound revolution swept through. The time frame of Comden’s and Green’s script, the Roaring 20s Era of flappers, was mostly determined by the fact that lyricist Freed and songwriter Nacio Herb Brown had written their extensive library of songs in their early careers during the s and s, when Hollywood was transitioning to talkies. The musical comedy’s story, then, would be best suited around that theme. Except for two songs, all of the musical arrangements in the film to be showcased were composed by Freed and Brown for different Hollywood films before Freed became a producer. The general storyline of the film was derived from Once in a Lifetime , a hilarious adaptation of the Moss Hart-George S. Kaufman play also set during the time of panic surrounding Hollywood’s transition to talkies. The plot of the film is actually an autobiography of Hollywood itself at the dawn of the talkies. They are also pressured by the studio boss R. Simpson Millard Mitchell to change their silent romantic drama The Duelling Cavalier and make their first sound picture, renamed as the musical The Dancing Cavalier. There’s one serious problem, however — the temperamental, narcissistic star has a shrill, screechy New York accent. The star’s ex-song-and-dance partner Cosmo proposes to turn the doomed film into a musical, and suggests that Don’s aspiring actress and ingenue dancer-girlfriend Kathy Selden dub in her singing voice behind the scenes for lip-synching Lina. The results of their scheming to expose the jealous Lina and put Kathy in a revealing limelight provide the film’s expected happy resolution. Now, after many accolades, television screenings, and its resurgence after the release of That’s Entertainment , it is often chosen as one of the all-time top ten American films, and generally considered Hollywood’s greatest and finest screen musical. Great care was made to authenticate the costumes, the sound studio set, and other historical details in the film. The film’s title song was paid twisted homage of sorts in Stanley Kubrick’s A Clockwork Orange during the brutal rape scene. Part of the opening credits feature the three stars from the film, briefly singing the title song with black umbrellas and yellow raincoats. The film opens outside the famous Grauman’s Chinese Theatre at an exciting Hollywood film premiere. It is Monumental Pictures’ opening night for its latest romantic, black and white swashbuckler, The Royal Rascal , starring two successful silent film stars, Don Lockwood Gene Kelly and his leading lady — beautiful blonde bombshell Lina Lamont Jean Hagen, an understudy for another quintessential, squeaky-voiced dumb blonde named Billie Dawn, portrayed by Judy Holliday in the Broadway production of Born Yesterday , and in the subsequent film Born Yesterday The first limousines pull up at the show with lesser stars and their escorts, as fans cheer, anticipating the arrival of the major stars. As they step out of their limousine, he is wearing a totally white, belted polo coat and white felt hat, and Lina has on a glittering light silvery-green gown and fur-collared stole. They are greeted with tremendous cheers from the fans, and the interviewer’s words about the gorgeous couple: «They’re a household name all over the world, like bacon and eggs.

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This inspired them to use these tunes as the basis of a screenplay about the trials and tribulations endured by people in the film industry when sound was introduced, a process that made plenty of new stars while destroying many established ones. Kelly portrayed a studio star who falls in love with an aspiring actress, played by Debbie Reynolds. Kelly, ever the perfectionist, found a way to include a now legendary extended-fantasy dance number with Cyd Charisse. Reynolds was only 19 years old when she starred opposite Kelly in the film, and it made her a major star. The image of him swinging from a lamppost in the rain, delighted at falling in love, is one of the great images in film history. Singin’ in the Rain. Article Media.

On Dvd & Streaming

Forgot your password? Don’t have an account? Sign up here. Got more questions about news letters? Email support rottentomatoes. Already have an account? Log in here. By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and Fandango. Please enter your email address and we will email you a new password. We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified. Clever, incisive, and funny, Singin’ in the Rain is a masterpiece of the classical Hollywood musical. Tap to review this movie.

Production notes and credits

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Gone With The Wind

It offers a lighthearted depiction of Hollywood in the late s, with the three stars portraying performers caught up in the transition from silent films to » talkies «. The film was only a diid hit when first released. However, it has since been accorded legendary status by contemporary critics, and is frequently regarded as the best film musical ever made, [3] and the best film ever made in the » Freed Thf » at Metro-Goldwyn-Mayer. It topped the AFI’s Greatest Movie Musicals list and is ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in In the British Film Institute included it in its list of the 50 films to be seen by the age of Don Lockwood Gene Kelly is a popular silent film star with humble roots as a singer, dancer, and stuntman. Don barely tolerates his vain, cunning, conniving, and shallow leading lady, Lina Lamont Jean Hagenthough their studio, Monumental Pictures, links them romantically to increase their popularity. Lina is convinced they are in love, despite Don’s protestations. At the premiere of sid latest film, The Royal Rascal, Don tells the gathered crowd an exaggerated version of his life story, including his motto: «Dignity, always dignity. To escape from his fans after the premiere, Don jumps into a passing car driven by Kathy Selden Debbie Reynolds. She drops him off, but not before claiming to be a stage actress and sneering at his «undignified» accomplishments as a movie star. Later, at a party, the head of Don’s studio, R. Simpson Millard Mitchellshows a short demonstration of a talking picture[a] but his guests are unimpressed.